Description
Recorded and released during his Geffen era in the 1980s, its electronic sound baffled many fans upon its initial release—a Sennheiser vocoder VSM201 features prominently in six of the nine tracks. Young’s direction was influenced by the electronic experiments of the German band Kraftwerk, but more importantly he felt that distorting his voice reflected his attempts to communicate with his infant son. “At that time he was simply trying to find a way to talk, to communicate with other people. That’s what Trans is all about. And that’s why, on that record, you know I’m saying something but you can’t understand what it is. Well, that’s exactly the same feeling I was getting from my son.”